Provocative Christmas Displays at American Places of Worship Offer Commentary on Immigration Enforcement

Throughout the US, Christmas displays have appeared that critique aggressive federal immigration policies. These installations reimagine the traditional nativity story, depicting the infant Christ and his family, Joseph and Mary, as figures caught up in the tactics of immigration authorities.

A Stark Interpretation in a Chicago Suburb

One powerful installation at a congregation in the Chicago suburb of Evanston shows baby Jesus placed within a crib amidst snow. Yet, the doll is wrapped in the type of thin, foil thermal blankets often distributed to detainees and has its hands secured by zip-ties.

Nearby, the figure of Mary stands just outside the building, wearing a gas mask. Such gear has been adopted by protesters seeking to guard against tear gas. She is flanked by representations of ancient soldiers, however in this display they are wearing tactical vests labeled with the letters “ICE.”

An Absent Holy Family

At a different Windy City church, the customary models of the holy family are nowhere to be seen from the standard nativity scene featuring camels and donkeys and wise men. Instead, a sign carries a direct message: “Due to enforcement actions in our community the Holy Family is in hiding.”

“Christmas is a period where we have public art in front of the church and we get an chance to make a statement,” remarked a senior minister behind one of the displays.

Statements Echo Nationwide

These artistic statements reflect the prominent role played by faith leaders in ongoing demonstrations against immigration enforcement. Comparable socially conscious exhibits have appeared in other states.

In Massachusetts, a church removed the small statue of Christ from its nativity scene. In its spot was a hand-painted notice that read: “Immigration authorities were here.” Church officials are said to have remained firm in the face of complaints from both diocesan and agency leadership.

Linking Biblical Narrative and Contemporary Issue

For the creators of these scenes, framing the age-old story of Christ’s birth within a contemporary political context draws focus to current administrative agendas. They contend that the holy family’s status as refugees parallels the real anxieties and realities of many families today, including being torn apart and the deportation of working family members.

This is not the initial instance churches have employed Christmas displays for social commentary. In previous years, displays have addressed topics ranging from conflict to the climate crisis.

Facing Criticism and Weathering Storms

The statements are not always widely accepted. A church minister participating noted that some detractors either do not fully understand the message or “find it really difficult to their conscience and are reacting negatively at the art rather than engaging with what the true meaning is.”

In a physical way, the elements have also affected one scene. At a separate location, the figure of Joseph was knocked over in a storm and could not be restored. A replacement sign now occupies the spot, declaring: “Joseph was lost. We hold this space to honor and remember all the victims of immigration enforcement terror.”